Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Author : W. R.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Fr. W. R--ch.: [Bach als Orgelspieler] Urania(Erfurt) 5/ 7 (1848), 111-112 |  |
 | 2. | Schmidt, Johann W. R. (arr.): D moll-Konzert für Pianoforte von Joh. Seb. Bach. EdPeters 2194 (1885), 26p | |
| | 3. | Löw, R.: Zu den beiden großen Messen von Bach und Beethoven. Eine das Confessionelle betreffende Parallele. SchweizerischeMzSängerBl 28/14f (1888) | |
| | 4. | Löw, Rudolf: Ein Gang durch J. Seb. Bachs Werke. (1898), 22-45 | |
| | 5. | Tann, W. R. B. (arr.): Fugue in G minor (16 of the 48) / Bach. GemsOrg 1 (c 1900) |  |
| | 6. | Tann, W. R. B. (arr.): Fugue in C major / Bach. GemsOrg 1 (c 1900) | |
| | 7. | Tann, W. R. B. (arr.): Short prelude and fugue in A minor / Bach. GemsOrg 1 (c 1900) | |
| | 8. | Tann, W. R. B. (arr.): Pastorale in F / Bach. GemsOrg 1 (c 1900) | |
| | 9. | Löw, R.: J. S. Bach und die Orgel. SchweizerischeMzSängerBl 43/18 (1903) | |
| | 10. | W. R. A.: Bach's 'St. John' Passion. MTimes 75/1095 (May 1934), 458-459 | |
| | 11. | W. R.: Musikwissenschaft: Der erste Bach-Biograph. Anbruch 17/10 (1935), 288 | |
| | 12. | Grunow, Richard: Jesu meine Freude. Eine Betrachtung zu J. S. Bach's gleichnamiger Motette. WürttembergBlKm 23 (1956), 4-7 | |
 | 13. | Grunow, Rudolf (ed.): Begegnungen mit Bach. Ausgewählte Erzählungen über Johann Sebastian Bach und seine Musik. (1964), 183p | |
 | 14. | Sragow, Ruth LaPorte: The harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison. diss. (1970), 284p | |
| | 15. | Blackburn, Philip W. R.: A Hitherto unpublished Cantata of J. S. Bach. [fs]Rosenthal (1984), 11-16 | |
| | 16. | Tatlow, Ruth Mary: LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. diss. (1987) | |
| | 17. | Tatlow, Ruth Mary: Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs. BulTheolBachF 1 (1988), 157-180 | |
| | 18. | Tatlow, Ruth: J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20/3 (Fall 1989), 15-33 | |
| | 19. | Tatlow, Ruth: J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. MLetters 70/2 (Apr 1989), 191-205 | |
| | 20. | Tatlow, Ruth: Bach and the Riddle of the Number Alphabet. (1991), 186p | |
 | 21. | Tatlow, Ruth: Towards a theory of Bach's Pre-compositional Style. [p]BS_Dortmund (Jan 1998) | |
| | 22. | Tatlow, Ruth Mary: Towards a Theory of Bach's Pre-compositional Style. DortmundBachF 2 (1999), 19-36 | |
| | 23. | Tatlow, Ruth: Bach: Easter Cantatas BWV 6 and 66. (2000) | |
| | 24. | Tatlow, Ruth: Bach: Funeral Cantatas BWV 106, 118, 198. (2000) | |
| | 25. | Tatlow, Ruth: Bach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. (2000) | |
| | 26. | Tatlow, Ruth: Bach: Ascension Cantatas BWV 11, 128, 37, 43. (2000) | |
| | 27. | Tatlow, Ruth: Bach: Whitsun Cantatas BWV 34, 59, 74, 172. (2000) | |
| | 28. | Tatlow, Ruth: Bach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. (2000) | |
| | 29. | Tatlow, Ruth: Bach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. (2000) | |
| | 30. | Tatlow, Ruth: Bach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. (2000) | |
| | 31. | Tatlow, Ruth: Bach: Advent Cantatas BWV 61, 36, 62. (2000) | |
| | 32. | Tatlow, Ruth: Bach: Christmas Cantatas BWV 63, 64, 121, 133. (2000) | |
| | 33. | Tatlow, Ruth: Bach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. (2000) | |
| | 34. | Tatlow, Ruth: Bach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. (2000) | |
| | 35. | Tatlow, Ruth: Bach and Numbers. BachCantataPilgrimage 2 (2000), 97-102 | |
| | 36. | Tatlow, Ruth: Numerical ordering in Bach's church cantatas. [p]AMS_Toronto (Nov 2000) | |
| | 37. | Tatlow, Ruth: Pre-compositional ordering in Bach's B Minor Mass. [p]IS_Oxford (Dec 2000) | |
| | 38. | Tatlow, Ruth: The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. [p]IS_Oxford (Dec 2001) | |
| | 39. | Tatlow, Ruth: Text, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas. DortmundBachF 3 (2002), 121-133 | |
 | 40. | Tatlow, Ruth: N is for 'Numerology'. (2005) | |
| | 41. | Tatlow, Ruth: The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. [p]BICB_Warsaw (Jul 2006) | |
| | 42. | Tatlow, Ruth: Collections, bars and numbers: Analytical coincidence or Bach's design? [p]BNUK_Oxford (Dec 2006) | |
| | 43. | Tatlow, Ruth: The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 (2006), 69-85 | |
| | 44. | Tatlow, Ruth: When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. (2007), 203-216 | |
| | 45. | Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth: Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5] | |
| | 46. | Tatlow, Ruth: Parallel Proportions, Final Revisions and the Status of Manuscript P 180. [cr]Belfast2007 1 (2007), 118-136 | |
| | 47. | Tatlow, Ruth: Numerical Ordering in Bach's B-minor Mass. [cr]Belfast2007 2 (2007), 435-445 | |
| | 48. | Tatlow, Ruth: N för Numerologi. TidigMusik 3 (2007), 18-19 |  |
| | 49. | Tatlow, Ruth: Collections, bars and numbers: Analytical coincidence or Bach's design? UnderstandingBach 2 (2007), 37-58 | |
| | 50. | Kunow, Rosemarie: Aufführung der h-Moll Messe von Johann Sebastian Bach am Freitag, den 16. November 2007 in der Kathedrale Saint-Clodoald/St.Cloud. MtblNBG 61 (Winter 2007-08), 32-33 | |
| | 51. | Nosow, Robert (ed.): Violoncello Concertos / Carl Philipp Emanuel Bach. CPEBachCW 3/ 6 (2008), xxxii, 171p | |
| | 52. | Tatlow, Ruth: Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. [p]ABS_Bethlehem (May 2008) | |
| | 53. | Tatlow, Ruth: Bach's Numbers? Proportional parallelism and its implications for musicology. [p]AMS_Nashville (Nov 2008) | |
| | 54. | Tatlow, Ruth: Demystifying Myths: Bach and his Use of Numbers. [p]BICB_Leeds (Jul 2008) | |
| | 55. | Tatlow, Ruth: Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. UnderstandingBach 3 (2008), 109-111 | |
| | 56. | Tatlow, Ruth: Bach's Parallel Proportions and the Qualities of the Authentic Bachian Collection. DortmundBachF 8 (2009), 135-155 | |
| | 57. | Tatlow, Ruth: Buttstett-Mattheson dispute and its implication for Bach Studies. [p]BNUK_Oxford (Jan 2009) | |
 | 58. | Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.: Bach & Friends: Three Reviews of Michael Lawrence's New Film. BachNotesABS 13 (Fall 2010), 1-4 | |
| | 59. | Tatlow, Ruth: The Goblet of Anise: A Case Study. [p]BICB_Belfast (Jul 2010) | |
| | 60. | [Leaver, Robin A.; Tatlow, Ruth]: Report of the 14th Biennial Conference on Baroque Music. UnderstandingBach 5 (2010), 99-103 | |
| | 61. | Tatlow, Ruth: Bach no Ango: Kazu to Sozo no Himitsu. (2011), 311, 63p |  |
| | 62. | Tatlow, Ruth: Discovering New and Recovering Old Methods for Bach Studies. [p]BNUK_Edinburgh (Aug 2011) | |
| | 63. | Tatlow, Ruth: Report on the Fifth Johann Sebastian Bach Dialogue Meeting. UnderstandingBach 6 (2011), 61-65 | |
| | 64. | Tatlow, Ruth: Challenging Virtuality: A Personal Reflection. BachNotesABS 16 (Spring 2012), 5-6 | |
| | 65. | Tatlow, Ruth: Narratives of Number in the Neumeister Chorales. [p]BICB_Southampton (Jul 2012) | |
| | 66. | Tatlow, Ruth: Challenging Virtuality: A Personal Reflection. UnderstandingBach 7 (2012), 57-60 | |
| | 67. | Tatlow, Ruth: Bach's Numbers: Sources, Exegesis, Illustrations. (2013) | |
| | 68. | Tatlow, Ruth: Parallel proportions, numerical structures and Harmonie in Bach's autograph score. [ce]ExploringBMM (2013), 142-162 | |
| | 69. | Tatlow, Ruth: Bach's Numbers: Sources, Exegesis, Illustrations. [p]BNUK_Warsaw (Jul 2013) | |
| | 70. | Tatlow, Ruth: Theoretical Hope: A Vision for the Application of Historically Informed Theory. UnderstandingBach 8 (2013), 33-60 | |
| | 71. | Tatlow, Ruth: Metaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. [p]BICB_Salzburg (Jul 2014) | |
| | 72. | Tatlow, Ruth: Bach's numbers: compositional proportion and significance. (2015), xviii, 411p | |
| | 73. | Tatlow, Ruth: A Missed Opportunity: Reflections on Written by Mrs Bach. UnderstandingBach 10 (2015), 141-157 | |
| | 74. | Tatlow, Ruth: Ten Years of Bach Network UK. UnderstandingBach 10 (2015), 175-177 | |
| | 75. | Tatlow, Ruth: A Lutheran Theology of Proportions and Bach's Response. [p]ABS_SouthBend (Apr 2016) | |
| | 76. | Tatlow, Ruth: Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. [p]BICB_Canterbury (Jul 2016) | |
| | 77. | Tatlow, Ruth: A Glorious Summer Meeting: the 2015 Dialogue Report. UnderstandingBach 11 (2016), 149-152 | |
| | 78. | Tatlow, Ruth: Symmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. [cr]Warsaw2017 (2019), 51-81 | |